Welcome to gangletown’s “Monday Edition,” where each week you’ll receive original essays, scripts, pieces of fiction, poetry, or cultural commentary written by David Kimple. If that is good for your vybe and you’d like access to everything gangletown has to offer, check out subscription options here.
Creativity is complicated.
For me, one of the most reliable and consistent sources of creative inspiration is discontent. Or sadness. Or frustration. When things are hard, I am often motivated by that and use it to make what I make (plays, gangles, etc.). Sometimes, I am stunned into a depressive state and cannot even fathom doing The Work at all, but usually, something is born of those sullen states.
I started noticing that pattern when I was about nineteen and, at some point, wrote in one of my journals, “I’m only in the mood to write when I’m not happy.”
It’s a scary thought. As someone who is deeply identified with his work but also conscious enough to know that happiness is probably a better overall goal (wink face emoji), I get conflicted.
I want to be a happy person, but creating is what makes me the happiest, and my creative inspiration is often tied to unhappiness.
It’s important to me to say that those down-moods are not the only sources of inspiration. There are also times when joy, or romance, or anger are the well from which I draw. Those moments are random, fleeting, and harder to control, but they exist.
The most reliable source is, without a doubt, dissatisfaction.
The tricky thing about a creative center that is most reliant upon sadness is that when joy comes - when the peace and simple okayness of day-to-day life is larger than the usual existential dread and fear of living a life of dreams unfulfilled - the well can run a bit dry.
That’s where I was this week. I’ve was doing okay. I was fine. I was medium. I was almost - dare I say it? - happy. The sun came out, and there was a day where it was almost warm. I got myself to work out a few times. I watched a bunch of silly and inconsequential television with my husband on the couch (and that part was actually amazing).
It was one of those weeks where, perhaps because I was not writhing internally, I sat down to write, and the well was mostly dry.
In the simplest of ways, I was doing life.